Die Eiche

Archi­tec­tu­re of the encounter

The his­to­ric gran­ary “Die Eiche” in Lübeck, built in 1873 by Sena­tor Tho­mas Johann Hein­rich Mann, the father of Nobel Pri­ze win­ner Tho­mas Mann, is loca­ted on Lübeck’s old town island at the Han­sa har­bour. It is the Mann family’s last remai­ning gran­ary. The ful­ly lis­ted buil­ding, which was once used to store grain, is now used as a colum­ba­ri­um, an “indoor buri­al place”.

Cooperation with depth

Crea­ting a place of reflec­tion. In the midst of the dead – with space for con­ver­sa­ti­ons and thoughts. We have dedi­ca­ted our­sel­ves to this task in the archi­tec­tu­re and inte­ri­or design of the colum­ba­ri­um in the old gran­ary “Die Eiche”, whe­re a total of around 3,400 urns can find a place and the decea­sed can be com­me­mo­ra­ted in a digni­fied set­ting. We deve­lo­ped the con­cept for this spe­cial place and desi­gned rooms and fur­ni­tu­re that ful­fil this wish and build a respectful bridge bet­ween histo­ry and modernity.

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Structural design that moves the heart

Built in 1873 as a gran­ary and used for a long time, the typi­cal Han­sea­tic clin­ker brick buil­ding of the colum­ba­ri­um blends into the frin­ge of Lübeck’s old town. We are reno­vat­ing this archi­tec­tu­ral tre­asu­re from the ground up over its seven flo­ors, wit­hout dis­re­gar­ding its true core. For the inte­ri­or design, we also lis­ten­ed deep­ly to our­sel­ves. We respectful­ly inte­gra­ted num­e­rous his­to­ri­cal ele­ments, such as flo­or­boards that span seve­ral flo­ors, into the new. The result is a memo­ri­al with soul that hono­urs the cha­rac­ter of the past.

The con­ver­si­on of the gran­ary into a colum­ba­ri­um included various struc­tu­ral mea­su­res in order to meet the requi­re­ments of a modern buri­al site while pre­ser­ving the his­to­ri­cal cha­rac­ter of the buil­ding. The clin­ker brick faça­de with its gothi­cis­ed step­ped gab­le and the solid woo­den sup­port­ing struc­tu­re insi­de were com­ple­te­ly pre­ser­ved. A cen­tral archi­tec­tu­ral fea­ture of the con­ver­si­on is the ope­ning up of the warehouse flo­ors over three storeys. By remo­ving the cei­lings of the first and second flo­ors in the cent­re of the rear area, a cen­tral cele­bra­ti­on hall was crea­ted, which is bor­de­red by a glass balus­tra­de. The view of the cha­rac­te­ristic beams, buri­al are­as, libra­ri­es and works of art is unob­s­truc­ted. This design enables a har­mo­nious con­nec­tion bet­ween the dif­fe­rent levels and crea­tes a sacred spa­ti­al atmosphere.

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Total area:
1400 m²

Ope­ning:
2024

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The inside turned inside out

In addi­ti­on to the exten­si­ve archi­tec­tu­ral refur­bish­ment of the his­to­ric buil­ding fabric, the design con­cepts for the various rooms and fur­ni­tu­re were also crea­ted by ate­lier 522. The cen­tral hall for fun­e­ral ser­vices is visual­ly cha­rac­te­ri­sed by a fine­ly balan­ced dia­lo­gue bet­ween the mas­si­ve beam archi­tec­tu­re and a light instal­la­ti­on by artist Mad­lai­na Lys. Thou­sands of ungla­zed por­ce­lain tiles crea­te a fra­gi­le and gent­le light­ing atmosphere.

The set-box-like struc­tu­re of the faça­de is reflec­ted in the struc­tu­re of the “urn fur­ni­tu­re” on flo­ors 1 and 2. Five dif­fe­rent design vari­ants made of glass and wood cha­rac­te­ri­se the appearance. Per­so­nal objects of the decea­sed, their texts and pic­tures are visi­bly inte­gra­ted and tell their sto­ries. Over 100 high-qua­li­ty works of art by well-known and unknown artists crea­te a muse­um-like atmo­sphe­re, which is, howe­ver, only inten­ded to “ser­ve”: Pri­ma­cy has the silent dia­lo­gue of the bere­a­ved with their decea­sed, pri­ma­cy has the ceme­tery. The spe­cial loca­ti­on, the inge­nious cura­to­ri­al con­cept, the high qua­li­ty of the mate­ri­als used and, abo­ve all, the abso­lu­te atten­ti­on to detail make the colum­ba­ri­um DIE EICHE one of the most beau­tiful of its kind.

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Stand still

Whe­ther clad in pre­cious wood or sil­ver-pla­ted, hand-blown glass, the design of the urn cham­bers of dif­fe­rent sizes lea­ves gent­le space for the rela­ti­ves of the decea­sed to incor­po­ra­te per­so­nal items on the out­side. Islands of remem­brance, inte­gra­ted into a his­to­ri­cal place that has com­ple­ted its trans­for­ma­ti­on from gran­ary to memo­ry store and found a new meaningful purpose.

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